Thank you, dearest Becca and Aimee, for those fascinating hours of sharing on December 2, 2016!
We need to remember our photo for the time when you want to invite me to your inaugurations!
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How wonderful to have met with Venera Kusari! We met already in 2015 and this photo was taken on December 2, 2016. Venera is the Program Coordinator MS in Negotiation and Conflict Resolution at the School of Professional Studies, Columbia University in New York City, USA.
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L’Amour de Loin, by composer Kaija Saariaho, was a very special experience! It had its Met premiere on December 1, 2016. This photo of Kaija Saariaho is taken from the Metropolitan Opera's website. See the synopsis and the program. I wish I had another life to realize the dream of an opera that I have in my head, a opera on honor, dignity, humiliaton, terror, and love, with a emphasis on voice, and on ways of using voice such as in Sami joik!
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Thank you, dear Linda Hartling, for sharing this poster with us, which you saw on September 14, 2016, in the B Reactor at the Hanford Site, near Richland, Washington, which was the first large-scale nuclear reactor ever built. The project was commissioned to produce plutonium-239 by neutron activation as part of the Manhattan Project, the United States nuclear weapons development program during World War II. The B Reactor was the world's first plutonium production reactor.
The poster says: "Security is an individual responsibility: be an individualist."
Thank you, dear Linda, for thinking of my reflections on how the security dilemma has been "individualized." The security dilemma is a term used by international relations experts to describe a dilemma of mutual mistrust that states are caught in. Ruling elites of states are the ones to "manage" this dilemma, it defines "Realpolitik," meaning that there can be no trust, since an ally may turn into foe over night. This poster invites every citizen to share it. While states cannot escape the security dilemma as long as the world is divided, citizens can overcome it among themselves, they can learn how to nurture trust. If they learn to foreground mistrust instead, the inner cohesion of society is in danger.
Thank you, dear Linda, also for sharing your key insights with us:

1. In 1943 the military took over a piece of land in Washington State that is half the size of the state of Rhode Island, displacing 1,500 local and indigenous people.
2. They picked the side next to the Columbia River because they needed water that was plentiful and pure. The Columbia River flows between Oregon and Washington State through the largest populated city is Portland, Oregon. This article describes the contamination problem associated with this project today.
3. 45,000 people were brought in to build the reactors and other buildings in support of this project, building other reactors and other buildings at the site. 
4. The workers did not know exactly what they were working on. Only those at the very top knew that they were developing the fuel for a nuclear bomb.
5. Even the scientists didn’t know much about what would happen with their reactor. It was like a big science experiment.
6. B Reactor created the plutonium for the bombing of Nagasaki.
7. I found it deeply troubling that there were no pictures of the destruction of caused by the bomb in the building or on the tour (out of sight, out of mind).
8. The American people are paying 2 billion dollars a year for 25 years to clean up this site.
9. The tour through the reactor emphasized the accomplishment of American engineering, in competition with German engineering at the time. The construction of the reactor took 11 months.
10. I wish that this had been a tour to remind people "never again," but it wasn’t.

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On November 15, 2016, what a gift it was to reconnect, after one year, with dear Martha Eddy, and then also dear Michael Britton joined us!
Congratulations, dear Martha, with your new book! After 15 years of working with it!
Martha Eddy, Mindful Movement: The Evolution of the Somatic Arts and Conscious Action (Bristol: Intellect. 2016).
Thank you so much for reminding me and making me aware of so many important like-minded initiatives:
- Your wonderful Global Water Dances
- The Same Heart is a film that tackles what it will take to actually end the extreme poverty children live with today.
- The AFS Intercultural Programs is an international, voluntary, non-governmental, non-profit organization that provides intercultural learning opportunities to help people develop the knowledge, skills and understanding needed to create a more just and peaceful world (originally the American Field Service, of which Martha Eddy's father was part). In 2007, almost 13,000 participants traveled abroad on AFS cultural exchanges between 65 countries, as supported by 44,000 active volunteers.
- The National Coalition for Dialogue and Deliberation (NCDD) is a community and coalition of 2,200+ groups and professionals who bring people of all stripes together to discuss, decide and collaborate on today's toughest issues.
- The Southern Poverty Law Center was founded 45 years ago by Morris Dees. It is an American nonprofit legal advocacy organization specializing in civil rights and public interest litigation. It is noted for its legal victories against white supremacist groups, its classification of hate groups and other extremist organizations, its legal representation for victims of hate groups, and its educational programs that promote tolerance.
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On November 13, 2016, it was a deeply touching afternoon under the overwhelming motto of HUMILIATION, the humiliation of slaves, and their resilience. Underground Railroad: A Spiritual Journey: "In the 1830s, railroad tracks for the newly invented steam trains began to crisscross America, but at this very same time, another railroad was also flourishing that had no need for rails to carry its passengers. It was known as the Underground Railroad, and between 1830 and the beginning of the Civil War, it helped tens of thousands of slaves escape their bonds in the South and find freedom in the Northern states and Canada."
Kathleen Battle, a prima donna whose dismissal by the Metropolitan Opera more than two decades ago made front-page news, returned to the Met to sing a recital of spirituals.
• Please click on the picture above to see it larger, which is taken from "Battlemania," by Kevin Fullerton, Parterre, November 14, 2016.

On November 12, 2016, it was such a joy to be re-united with my beloved sister Judit Révèsz and brother Ikhlaq Hussain.
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The Willamette Meteorite is an iron-nickel meteorite discovered in the U.S. state of Oregon. It is the largest meteorite found in North America and the sixth largest in the world. It was great to revisit it on November 11, 2016, as every year, in the American Museum of Natural History in New York City, which acquired it in 1906. It has been seen by an estimated 40 million people over the years, and is among the most famous meteorites known. In 2005, the Confederated Tribes of the Grand Ronde Community of Oregon unsuccessfully sued to have the meteorite returned to them.
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After plannint to meet in December 2015, one entire year ago, it was such a privilege to finally get together with extraordinary Qin Shao! Dear Michael Perlin, thank you so much for introducing us to eath other! Qin is Professor of History at the College of New Jersey and former research fellow at the Radcliffe Institute for Advanced Studies, Harvard University (2007 – 2008), and at the International Research Center on Work and Lifecycle in Global History, Humboldt University, Berlin, Germany (January – July 2013). Her recent work has focused on the human dimension of rapid urbanization in post- Mao China, especially on such issues as mental health, dignity, property rights, and grass-roots resistance. She is working on a new project about the impact of politically induced and imposed physical displacement under Mao.
Dear Qin, thank you so much for giving me your important book:
Shao, Qin (2013). Shanghai Gone: Domicide and Defiance in a Chinese Megacity. State and Society in East Asia. Lanham, MD: Rowman and Littlefield. This is the summary of this book:
Shanghai has been demolished and rebuilt into a gleaming megacity in recent decades, now ranking with New York and London as a hub of global finance. But that transformation has come at a grave human cost. This compelling book is the first to apply the concept of domicide—the eradication of a home against the will of its dwellers—to the sweeping destruction of neighborhoods, families, and life patterns to make way for the new Shanghai. Here we find the holdouts and protesters, men and women who have stubbornly resisted domicide and demanded justice. Qin Shao follows, among others, a reticent kindergarten teacher turned diehard petitioner; a descendant of gangsters and squatters who has become an amateur lawyer for evictees; and a Chinese Muslim who has struggled to recover his ancestral home in Xintiandi, an infamous site of gentrification dominated by a well-connected Hong Kong real estate tycoon. Highlighting the wrenching changes spawned by China’s reform era, Shao vividly portrays the relentless pursuit of growth and profit by the combined forces of corrupt power and money, the personal wreckage it has left behind, and the enduring human spirit it has unleashed.
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"In many respects, teaching and learning are matters of breaking through barriers - of expectations, of boredom, of predefinition. - Maxine Greene, TC faculty since 1965." This is a poster mounted in front of the main elevator in Teachers College, Columbia University, New York City!
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Thank you so much, dear Bonnie Selterman, for taking me with you to Bill McKibben's Inaugural Jonathan Schell Memorial Lecture at the New School in New York City on November 10, 2016!
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What a joy to reconnect with dear Claudia Cohen, Senior Lecturer in the Social-Organizational Program at Teachers College and the former the Associate Director of the Morton Deutsch International Center for Cooperation and Conflict Resolution (MD-ICCCR), for our annual lunch, on November 10, 2016!
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What a joy to reconnect with Portia Williams, Director for International Affairs at Teacher College, Columbia University, in New York City, on November 10, 2016!
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In November 2016, my 1981 dress (see the photo on the left side) was copied in New York by dear May Cheng (see the photo in the middle)!
In 1981, I worked as a medical student in Bangkok, and was overjoyed to see the streets filled with silk shops. I bought some silk and designed and made the dress you see on the left photo (the photo was taken in 2014). In 2014, I was back in Thailand and was devastated to see that modern-day mass production has "killed" the local silk handicraft, as it has done with so many other handicrafts all around the world. Those with means, in all corners of the world, seem to be willing now to reduce themselves to crowding their wardrobes with clothes that lack true quality and diversity. The number of colors that is being used in these mass-produced materials, just to give one example, is disastrously low. And I watch the poor, in Africa, South America, and other parts of the world, I watch them being reduced to digging through heaps of second-hand clothes that people in the Global North have given to "charity" believing that this meant "doing good," while these clothes are being sold off for profit, finally destroying also the local skill base among the poor.
On December 7, 2007, I was discussing this disaster with Zuzka Kurtz in New York. Zuzka confirmed that we need to educate people to respect the richness of knowledge and skill that flows into many handmade products, particularly those that honor long artistic traditions.
I started to study local fashion styles back in 1974 and created "cross-over" clothes. Have a look at our World Clothes for Equal Dignity idea, for which I still look for support. Unfortunately, I no longer have time to be my own tailor, and the dress on the left side from 1981 is now very worn and in danger to fall apart and I repair it every year. Since I did not find the right material in Thailand in 2014 to make a good copy, I kept searching for it in other parts of the world. I was extremely happy to find the right material in the very last corner of the fashion street in New York in December 2015! (Foursquare Favorite, 224 West 40th Street.) I brought this material back with me to New York in 2016, and the lovely tailor May Cheng has now been so kind, in November, to make a copy of my 1981 dress! See the photo on the right side!
• Please click on the photos above on the left side or here to see more pictures from 2014 in Thailand. Click on the photo above in the middle and on the right side or here to see more pictures of May's little atelier in Boweri Street in New York's China Town.

How lucky I am to have dear Kristin as roommate again! I learn so much from her! She is an amazing play-write teaching at Columbia University in New York City!
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On November 7, 2016, it was wonderful to reconnect with Volker Berghahn, Seth Low Professor of History, and Director of the Institute for the Study of Europe at Columbia University!
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On November 6, 2016, it was such a pleasure to reconnect with Tony Allicino, MA, former Director of the Program for Deaf Adults at LaGuardia Community College of The City University of New York. We first met in 2013, and it was particularly interesting for me to learn from Tony about the work of anthropologist Michael Harner, PhD, since I had spent many months in South America in 2012, among others in the Ecuadorian Amazon, where also Harner had done research.
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On November 5, 2016, it was time again for me to learn more about the intricate interrelationships between honor, security, and love. It was the premiere of Aida, where a military commander betrays his country for love and thus is both innocent and guilty. This year, the 50th Anniversary of the opera building in the Lincoln Center is being celebrated.
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Between October 29 and November 5, 2016, I took a few photos of my beloved neighborhood in the Upper West Side in New York City.
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On November 4, 2016, sitar master Ikhlaq Hussain performed at the Harvard Club in New York City together with tabla player Imran Khan! It was such a privilege to be in the presence of Ihlaq and his dear wife Judit Révész! His performance was a divine experience!
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On November 3, 2016, what a joy to see Joe Levine again! He is the Executive Director of External Affairs at Teachers College, Columbia University! See him on the left side and Jim Gardner, Associate Vice President for External Affairs, on the right side!
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What a privilege it was for me to reconnect with Sandra Afflick on November 3, 2016! I so much admire her visionary sense of responsibility for her people!
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On November 3, 2016, I had the great joy of reconnecting with dear Alba Taveras, who is now working with the Saltzman Institute of War and Peace Studies at the International Affairs Building of the School of International and Public Affairs, at Columbia University, New York City, United States of America.
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Thank you to Komala Ramachandra, Senior Researcher for Business and Human Rights at Human Rights Watch, for sharing with us your work with assessing the strategies used by corporations to prevent and remedy human rights violations, including due diligence processes, impact assessments, and grievance procedures, on November 3, at Columbia Law School in New York City! This was the third event in the Human Rights Institute’s series, “Is Business Co-opting the Business & Human Rights Field?” Ramachandra is the Senior Researcher on Business and Human Rights at Human Rights Watch. Prior to joining HRW, Komala was an attorney with Accountability Counsel, working with communities to hold international companies and banks accountable for their actions, and ensure that national laws and institutional policies support transparency, accountability, and access to remedy. She has worked with indigenous communities in the Peruvian Amazon harmed by petroleum projects, on behalf of clients in Oaxaca, Mexico, impacted by a US-supported hydropower project, and with communities in Nepal and India to hold the World Bank Group accountable for human rights violations caused by its investments.
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November 3, 2016, it was a great privilege to be back at Maria Volpe's Monthly Roundtable Breakfast, hosted by the CUNY Dispute Resolution Center at John Jay College and The Association for Conflict Resolution of Greater New York, with many dear friends attending, among them Janet Gerson, Judit Révész, and Anne-Rose Moore.
This time, the topic was:
"Transforming our World by Transforming Our Practice," with UN Assistant Secretary General Barkat
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What a privilege it is for me to be part of the Morton Deutsch International Center for Cooperation and Conflict Resolution (MD-ICCCR)!
It was wonderful to reconnect with my dearest friends, on November 2, 2016!
See from left to right: Azin Aliabadi, Becca Bass, Ljubica Chatman, Evelin Lindner, and Danielle Coon!
Thank you for a deeply enriching afternoon!
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On November 2, 2016, it was a great joy to make my first annual visit to our dear Samantha Lu and her colleagues, Patricia Gibson and Lauren Norvile. She is the director of TC's Office of International Student Services and is my wonderful "mother" at Teachers College!
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On November 2, 2016, it was such a pleasure to reconnect with many of my friends at Teachers College, Columbia University! See on the left side my friend since 2001, James Kearney, and in the middle and on the right side the wonderful Kofi Asare and his colleague Victor Melendez at TC's Media Services!
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On November 2, 2016, it was very enriching to attend the symposium "Conflicts and Laudato Si" at Fordham Law School. This symposium focused on Pope Francis’s encyclical letter, Laudato Si, and considered how insights from that letter might inform our thinking on how to manage and resolve contemporary conflicts over environmental issues spanning environmental law, ethics, and corporate social responsibility. This event was co-sponsored by Fordham Institute on Religion, Law & Lawyer's Work, Feerick Center for Social Justice, Catholic Law Student Association, Fordham Environmental Law Review.
Keynote speaker was Lucia A. Silecchia, Professor of Law, Vice Provost for Policy, Columbus School of Law, and members of the panel were Kevin Healy, Partner, Bryan Cave; John Mundell, Mundell & Associates; Maureen A. Weston, Professor of Law, Pepperdine Law School; and Susan Wheelan, Delegate nd Legal Expert, Permanent Observer Mission of the Holy See to the United Nation.
Lucia Sileccia shared ten principles that Laudato Si' suggests for conflict resolution in the environmental context:
Laudato Si:
1. Stresses the critical importance of "having all stakeholders involved" in conflict resolution
2. Expresses concerns that "environmental disputes are viewed too narrowly" and urges constant consideration of all the issues that are affected by environmental problems
3. Emphasizes the "intergenerational character" of our responsibilities
4. Speaks of the "importance of a sound set of laws"
5. Points to the "indispensable need for honesty" in problem solving
6. Urges that the "precautionary principle" be applied in resolving disputes
7. Express a great deal of "respect for the role of science," properly and brodadly understood, in environmental dispute resolution
8. Advocates that the focus will remain on "solving problems and not merely addressing symptoms" of those problems
9. Proppses that environmental problem solving requires a "moral transformation"
10. Expresses hope that "holy love" motivate dispute resolution.
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On October 31, 2016, after living in New York for 15 years for two months per year, I finally was able to made good on my promise to once visit the Statue of Liberty! I saw a fascinating documentary on how the statue came into being, a documentary by Mark Daniels, « La statue de la liberté, naissance d’un symbole », Arte, 15 février 2014 (see also Musée Bartholdi). What impressed me, was how the message of this immense project has changed over time: it started out as criticism of the authoritarian leaders in Europe, reminding them of how they lagged behind the freedom achieved in America, later it became a symbol of immigration to America, as it was the first immigrants saw before landing on nearby Ellis island, while in 2001, it gave strength to New Yorkers after the attack on the Twin Towers.
Even though the Statue of Liberty was put up saying Amerca welcomes everybody, there were exceptions. In 1882, the Chinese Exclusion Acts erected "a wall" against Chinese people and kept them out of the United States for about 100 years. Or, suffragists chartered a boat and held their own ceremony, loudly lamenting the hypocrisy of men “erecting a Statue of Liberty embodied as a woman in a land where no woman has political liberty.” Or, even though Joseph Pulitzer secured the funding for the pedestal on which the statue stands, he was not invited to the inauguration of the statue.
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March 2019
The Statue of Liberty - A gift from France to America, and a declaration of hope...
See the conference Civic Education in the US & France: Confronting Hatred and Threats to Democracy
Teachers College, Columbia University, Cowin Auditorium, March 28, 2019

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On October 29, 2016, I finally made good on my plan, since many years, to pass by a building a few blocks away from where I am staying, namely, the building where John Lennon was shot, and Rosemary's Baby was made: The Dakota, 1 W 72nd Street, New York, NY 10023!
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On 27th September 2016, I began my bus journey from Dubrovnik along the Dalmatian coast, arriving in Frankfurt am Main in the afternoon of the next day. You see one of those large cruise ships in Dubrovnik at the beginning of the journey, which Hrvoje Carić, of the Institute for Tourism in Zagreb, has examined. He has calculated in 2015 that one-year income from cruise ships was 52.8 million Euros, while the cost of environmental damage was as high as 390 million Euros. In other words, the direct cost of pollution for the Croatian part of the Adriatic exceeds the financial benefits for the Croatian economy seven times, not even counting indirect damage (see also Carić, Hrvoje, and Peter Mackelworth, 'Cruise tourism environmental impacts – The perspective from the Adriatic Sea'. Ocean and Coastal Management, 102, Part A, pp. 350-63, 2014, doi: 10.1016/j.ocecoaman.2014.09.008)
Then you see an incredibly beautiful coastline, before arriving in Split, where you see, for instance, evidence of the global victory of Coca Cola, or architecture that looks as if the ugliness of former Soviet uniformity is being surpassed by modern capitalist uniformity.
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On 5th September, I had the great privilege of meeting with dear Marko Milos, one of the 1 000 local inhabitants of the Old Town of Dubrovnik! Before the war, there were 4 000 people in the Old Town, now, due to tourism, the number of locals is going down. Marko has supported Celine Motzfeldt Loades, PhD Candidate at the Centre for Development and Environment of the University of Oslo, Norway, in her doctoral research, and he is now developing creative new opportunities to visitors of the city to experience more than just the standard touristic guided tours.
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Throughout the month of September 2016, it was such a joy to live at the Youth Hostel of Dubrovnik! Martina Krmek is the Director and Manager and, together with her four colleagues, they have become a WONDERFUL home for me, and members of our dignity family! Here you see Martina on 6th September, giving two very special gifts to our dignity work: a historical plate highlighting the pleasures of Croatia, and an image of the bridge of Mostar in Bosnia and Herzegovina (the Old Bridge stood for 427 years, until it was destroyed on 9 November 1993, and the rebuilt bridge opened on 23rd July 2004). This gifts will adorn our Dignity Library in Portland, Oregon, in the home of the director of our Human Dignity and Humiliation Studies movement, Linda Hartling!
This is the best Youth Hostel in the world, with the most loving hosts!
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On 4th September 2016, I visited "Fort Imperial," on top of Mount Srđ (412 metres), just behind the walled city of Dubrovnik, in Dalmatia, Croatia. The fort was built in 1806 – 1816 during the Napoleonic Wars and now houses the exhibition "Dubrovnik during the Homeland War, 1991 – 1995." From the Fort Imperial, the view on Dubrovnik was particularly good, and I could take a good picture of the Inter-University Centre, see the second row of photos, on the right side.

The exhibition in the fort speaks about the suffering of Dubrovnik's population under attack, about the heroism and courage of the defenders of Dubrovnik, and about the bitter disappointment at the international community who failed to prevent this catastrophe (as I learned, the population of Dubrovnik was at least spared the snipers that the people of Sarajevo had to fear).
In a film that was shown in the exhibiliton, one man explained that Dubrovnik, being such a unique historical treasure, seems to have been used to force Croatia to cede territory so that Greater Serbia could come into being...
Another film was shown, created by the Croatian History Museum in Zagreb in 2015, about the timeline of events since 1945. The film ended with the Operation Storm, which, in 2015, has been called "Croatia’s Triumph, Serbia’s Grief": "Croatia this week celebrates its defeat of Serb rebels during Operation Storm 20 years ago, but Serbia will mourn the hundreds killed and the 200,000 who became refugees."

At the bottom of the photos above, you see an advertisement of the very controversial Golf Park project. See A Dangerous Game, a 2014 film that narrates how the building of a luxury golf course on Mount Srđ overlooking Dubrovnik has been approved, while local residents are campaigning against it and a referendum was held which officials then ignored. The film also looks at luxury golf resorts in general, how they damage the natural environment because of high water and pesticide usage, and how they often only serve the super rich whilst bypassing local democracy to please the developers.

So many things can be learned here:
1. how easily people can get divided along identity fault lines (see social psychology for the minimal group paradigm) and how easily leaders, to stay in power, can use this human propensity (see, among others, Dejan Jović's book "Yugoslavia - A state that withered away," West Lafayette, IN: Purdue University Press, 2008)
2. the two faces of war: on one side the soldier as savior, war as arena for heroism (see the mention of "the enemy's lack of courage" to take the fort; see also the Orlando statue in town further down, symbolizing nobility and freedom for Dubrovnik, and see the annual Sinjska alka competition also heralding knightly virtues), on the other side, war as atrocity and the soldier as perpetrator
3. how potentially explosive a border region is, where once a war culture was cultivated and incentivized by its powerful rivaling neighbors, in this case, between the Habsburg and Ottoman Empires
4. how peripheral regions also can also carve out alternative paths (see Yugoslavia's neutrality after 1948, and becoming one of the founding members of the Non-Aligned Movement)
5. how onslaught still continues, now no longer in the form of military destruction but through economic and environmental poisoning (as one young man in Dubrovnik told me yesterday evening: since time immemorial, the best women chose the strongest hunter and warrior, now this means a man has to have money, so he dreams of ways to make millions...)
6. the need to transcend and transform the idea of the nation-state in today's interconnected world
7. the responsibility of the so-called international community to liberate the world from war, to liberate men from having to sacrifice their lives as "courageous heros," and to liberate peoples from "chosen traumas" (Vamik Volkan) and resistance to persecution as major identity marker (see Anne Hanvør further down, and her words that all sides are victims and all feel as victims)
8. Josip Broz Tito kept Yugoslavs from fighting each other: what are the best of his strategies that humankind could learn from now, and where did he go too far? (See, for instance, Richard West's book "Tito and the rise and fall of Yugoslavia," London: Sinclair-Stevenson, 1994). For a decent future for humankind, the aim would be a world of unity in diversity, rather than uniformity without diversity or division without unity. It seems that communism had become equated with uniformity when Yugoslavia dissolved, an oppressive uniformity that called for acknowledging national/ethnic diversity, which, however, descended into division and war: from one degradation of the motto of unity in diversity, namely, uniformity without diversity, it went to the other extreme of degradation, namely, division without unity. Anne Hanvør's words about the situation in Scandinavia and resistance to immigration: there must be a careful balance of not keeping the lid on diversity too much, but also not too little. Raif Dizdaravic told BBC reporter Martin Bell that he believes that "the seeds of nationalism were sown in a new constitution in 1974, which loosened the federal structure without introducing necessary economic reforms. Politicians in the richer republics harvested votes by wondering aloud why they should subsidise the poorer ones. He told me: 'When we actually decided to move towards decentralisation, we were not giving time to the economy. Instead we were giving time to the republics.'" Under Tito, the old flags and anthems were banned, while later, "some of the fiercest battles of the war in Croatia were fought on the so-called Highway of Brotherhood and Unity. In the war in Bosnia, they were fought on the Bridge of Brotherhood and Unity in Sarajevo." Now, "elections... means playing the nationalist card yet again."

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On 4th September, I took the cable car up Mount Srđ (412 metres), just behind the walled city of Dubrovnik, in Dalmatia, Croatia. The cable car was disabled during the 1991 – 1995 war (see the photo on the left side) and has been rebuilt, as it appears, with Swiss support. Also the symbolic White Cross that had been destroyed during the war, has been rebuilt.
Srđ was once forested with oak trees (dubrava, from the old Slavic word dub, oak tree). The southern slope was once rich with pine forests, which were destroyed in the second half of the 20th century and during the war in numerous fires. We read on wikipedia: "This mountain was home to one of the fiercest battles of the 1991 – 1995 Croatian War of Independence, namely the siege of Dubrovnik."
"Fort Imperial" is on top of the mountain, built in 1806 – 1816 during the Napoleonic Wars.
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On 30th August 2016, I had taken a photo of the Rixos Hotel from the Boninovo Cliffs, and on 2nd September, I went in.
This was my reaction after having been inside: I was saddened by the uniformity and sterility of the atmoshpere of "international luxury," dotted with some photographies of Dubrovnik mounted on some corridor walls. To me, this is the same kind of abuse of a place that also "all-inclusive" cruise ships commit.
This was my reaction on 30th August, after seeing the hotel from afar: How can city planners and architects be complicit in letting investors commit such architectural sins?! Only to let a few investors make more profit?! Such violations of dignity - dignity at all its levels - from aesthetics to plain practical aspects?! The ugliness of this architecture offsets the beauty of the place entirely and makes the place repulsive for all tourists, except for those who stay inside such monstrosities and do not have to see them from outside. The very asset of a location - of a city or of a beach - namely, its beauty, to which it wishes to attract tourists, is being destroyed in this way. See also my reflections in the south of Thailand.
In a way, while Dubrovnik suffered from military attack earlier, now, it is exposed to economic exploitation...
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I am reading about young Pavo Urban, who died while taking these photos of the Orlando statue being shelled in 1991. He was 23 years old.
• Please click on the photo above to understand more. See also "Dubrovnik Under Siege: Artists’ Interactions with the Old City During the Yugoslav Army Aggression," by Nensi Brailo, 2010.

Orlando, in the middle of Dubrovnik, visited on 2nd September 2016. During the war, he was boarded up.

"Dubrovnik Under Siege: Artists’ Interactions with the Old City During the Yugoslav Army Aggression," by Nensi Brailo, who conducted interviews in Croatia in summer 2005 with Ivo Grbić, Davor Lucijanović, and Mirjana Urban:
On the north side of the column is the statue of the medieval knight Orlando, erected in 1418. Orlando, in the Dubrovnik dialect, is Roland, the legendary eighth-century Frankish knight who was killed in battle and came to embody (in the “Song of Roland”) the qualities of nobility and freedom. By placing a statue of Orlando in this prominent city square, the officials of the Republic of Dubrovnik may also have been subtly reminding Dubrovnik’s Ottoman suzerains that the city would continue to identify with Christian Europe rather than Istanbul (formerly Constantinople). Over time, the statue became a symbol of freedom and free trade. On top of the mast of the Orlando statue, the white flag of Saint Blaise, patron saint of the Republic of Dubrovnik, waved for five centuries. After the abolishment of the Dubrovnik Republic by Napoleon in 1808, the flag of Saint Blaise was replaced by the Italian, then the Austrian, then the Austro-Hungarian, and finally the Yugoslav flag. In 1990, on the eve of Croatia’s independence, locals proudly replaced the Yugoslav flag with the flag of Libertas—the Latin word for freedom. In 1991, following the Croatian declaration of independence from the former Yugoslavia, the Libertas flag was replaced by the new Croatian flag. Red, white, and blue with the checkered red-and-white Croatian coat of arms in the middle, the new flag displayed five crests along the top, symbolizing Croatia’s five traditional provinces (Zagreb, Dubrovnik, Dalmatia, Istria, and Slavonia).
During the attacks on the city at the end of 1991, the statue of Orlando was boarded up for protection along with the shop windows on Stradun. Davor Lucijanović and Marija Koprivica, professional artists who participated in the collaborative public art project, painted the contours of Orlando on the boards covering the statue. Orlando was thus simultaneously concealed and revealed via these artistic renderings. Each artist painted two sides of the Orlando Column, resulting in four representations. The first showed a knight, symbolizing the soldier, defender of Croatia; the second a troubadour with a lute; the third a lover with a heart; and last, a peacekeeping member of the United Nations Protection Force, which brings humanitarian aid and food to populations impoverished by war. The painted Orlando Column and the new Croatian flag floating above symbolized two identities—one local and one national—now operating simultaneously. The local Dubrovnik identity celebrated the historic achievements of the Dubrovnik Republic, and the painting of Orlando took on a broader, national identity, as Orlando became the defender of Croatia. From this point on, Dubrovnik and its citizens identi- fied with the struggles for independence of the newly formed democratic Republic of Croatia. In yet another layer of symbolism, behind Orlando’s head one of the artists painted the flag of the European Union, blue with a circle of yellow stars in the middle, signifying the yearnings of the new democratic Croatia to become a part of the European Union, a part of the West. The circle of stars around Orlando’s head made him look like an angel with a halo, overseeing the city and serving as its protector.

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On 2nd September, I took an evening walk to the Minčeta Tower and from there toward the Buža gate, first looking down the steep little pathways, and at the end looking up.
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On 31st of August, I was looking for a picture frame (to hang pictures on the wall), and finally found kind help from a young man, Ljubo, at Lazareti. In the old town I saw only souvenir shops, the entire old town seems to be one big souvenir shop, and one can no longer buy much of practical use there. On the way back home, I passed through the Old Port of Dubrovnik and took this panorama picture.
• Please click on the photo above, or here to see both pictures.

On 31st of August, I looked for ways to do laundry and found one kind man doing laundry around the corner from the Inter-University Centre Dubrovnik. He explained to me that during the war, Dubrovnik was shelled from the hill you see on the photo on the right side. He was so kind as to take a photo of me on his terrasse, with Fort Lovrijenac in the background.
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On 31st of August, Kjell Skyllstad showed me the house of Ivo Grbić, "a well-established Dubrovnik artist who has practiced stylized figurative painting, drawing, and graphic arts since the 1950s. His home, art studio, and gallery were all located in the same building, a Baroque palace built after the 1667 earth- quake on Od Puča 16 street in the Old City. Grbić says: 'My house was one of the first that was targeted by the Yugoslav army, early in the morning of December 6, 1991. I was a member of Matica Hrvatska [Croatian Matrix], one of the oldest Croatian cultural organizations, which was banned during the Communist regime. Three incendiary missiles hit his home, gutting it.'" See also "Dubrovnik Under Siege: Artists’ Interactions with the Old City During the Yugoslav Army Aggression," by Nensi Brailo.
• Please click on the photos above, 1990 and 1991, before and after destruction, or here to see more pictures.

On 30th of August, I took a little walk from the Inter-University Centre out to the left side toward Danče. You see the Srđ mountain behind Dubrovnik and Fort Lovrijenac.
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On 28th August 2016, I took the bus from Sarajevo to Dubrovnik. Apart from the beauty of the landscape, I was impressed by many other things. I was surprised to see so much oyster farming in the sea and hope it is not creating the environmental problems I know aquaculture creates in other parts of the world. Then, upon arrival in Dubrovnik, when I saw the huge cruise-ship, I was reminded of author Hans Magnus Enzensberger, who wrote already back in 1958: "Tourists are conquerers who destroy what they seek, namely, authenticity." City planners can lose their cities in many ways, and tourism is one of them. When thousands of people fall into a place like Dubrovnik, only to return to their all-inclusive service on board of their ship-hotel, only foreign investors gain, while a city commits suicide.
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On 28th August 2016, I took the bus from Sarajevo to Dubrovnik. I was again amazed to see people smoking almost desperately; smoking seems to be a collective addiction. Is it perhaps an aftermath of war stress? I found this article: Smoking: An Endemic Problem in Bosnia and Herzegovina and read there that "smoking is rife in Bosnia and Herzegovina (BiH), where the price of a pack of cigarettes is one of the lowest in Europe and Central Asia. The country ranks number 8 in the world in terms of smokers per capita and the percentage of adolescent smokers is steadily increasing."
All over the world, I am told that for a man, smoking is part of being a male; male strength is proven by a man's willingness and ability to "drink and smoke hard," and to "know how to treat women" (meaning to show them their rightful lowly place).
And also women smoked with great intensity. Sigmund Freud's nephew, Edward Louis Bernays (1891–1995), who was one of the founders of the PR industry, is still successful. He took Freud’s psychoanalytical concepts and then looked at the work of Gustave LeBon on crowd psychology, and Wilfred Trotter’s ideas on the instincts of the “herd.”  The results of his insights he offered to the tobacco industry who was interested to expand its market and did not know how to turn women into customers (at that time, women did not wish to smoke). Bernays manipulated women into becoming paying customers of the tobacco industry by hiring some women who marched at the front of the Easter Sunday Parade of 1929 to smoke, so that he could use their example to convince other women that smoking was a symbol of female freedom. Cigarettes became “torches of freedom.” Since then, women smoke and believe it is "cool."
It is interesting how the culture with respect to smoking (both for men and women) has changed the further north one goes (Scandinavia, for instance), and the more one enters into the academic sphere. While smoking does not seem to damage one's standing in society further south, it increasingly does so further north. Many people I know will not entrust smokers with serious tasks, because they regard smokers as untrustworthy, since smokers cannot even attend to their own self-interest. Smokers may be seen as people who are helpless victims of a health-damaging addiction, unable of due self-care. In other words, as much as smoking is an accepted cohesion-building activity further south (as it was 20 or 30 years ago also further north), it now turns into a social and career handicap in the north.

In August 2016, I even learned about Albanian culture! This is a book about the city of Gjakova: Rizvanolli, Masar (2009). Çarchija e Madhe e Gjakovës / Grand Bazaar of Gjakova. Gjakovë: Shoqata e Intelektualëve “Jakova” / Association of Intellectuals.
One reads on page 43: "Let it be mentioned that the Gjakovar silversmiths were distinguished also for their fine mastery in guns decoration. It is known that the guns did not represent only a means of defence of freedom, of personal integrity and dignity, but they also were part of decoration of their costumes (wear). Hekard used to write in 1857: "The luxury of Mohammedan Albanians consists in the richness of their guns. Often what among us back in France is of wood in pistole, among them it is of gold and silver carved in a rich manner, or it is covered by filigree. The same is the case with the yataghans sheath (scabbard, case)." (The yatagan or yataghan, from Turkish yatağan, is a type of Ottoman knife or short sabre used from the mid-16th to late 19th centuries.)
• Please read more quotes, and click on the photos above or here to see more pictures.

• Ardian Adžanela would like to point out that peace-related elements exist in every culture. In Albanian culture, one of those peace-related elements can be found in the doves symbol found on the ciftelia, a traditional Gheg Albanian instrument, despite the fact that this instrument has also been used to accompany more warlike and epic songs.
See the photos at the bottom.

The Bascarsija in Sarajevo offers many souvenirs, most come from Turkey or are made in China. There is one very creative idea from within Sarajevo itself, however, namely, pens and key chains made of spent bullet cartridges! What a good idea: Turning war tools into peace tools! Bullet-turned-pen, as in turning "swords into plougshares!" See the top pictures.
Outside of the Bascarsija, American influence is large, see the plastic bag at the bottom. I think it comes from a shopping mall I was told had been paid for by investors from the Gulf (such as Saudi Arabia), where no alcohol is being served.
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On 26th August 2016, I went back to the Sevdah Art House in Sarajevo. I liked the voice of Nedžad Salković (January 6, 1941, Tuzla), one of the most famous Yugoslav and Bosnian sevdah singers. Later I found his song "Do not rattle with sandals" on YouTube, Nedžad Salković u Trebinju - Ne klepeći nanulama. Perhaps you would like also to listen to the legendary song at the festival "Ilidza '68," Nedzad Salkovic - Ah,ljubav,ljubav.
Please read more about Sevdalinkas: "Unlike most musical types, in Sevdalinkas the singer leads the song, while the accompaniment follows the singer. In many Sevdalinkas the concept of musical measure is secondary to the singer’s emotional free form interpretation of the lyrics. Sevdalinkas are a unique blend of Eastern and Western influences which sound significantly different from all neighbouring folk heritages. Many songs depict a unique form of melancholic feeling with slow, rubato tempo, while many are uplifting and of a happier tone. Most Sevdalinkas are love songs, depicting specific stories between a girl and a boy, while some are historical depictions of a significant event in Bosnian history. In this way, many Sevdalinkas are a unique remnant of Bosnian history and culture and are immensely significant to Bosnia and Bosnian people. Sevdalinka heritage During the rule of Ottoman Empire over Bosnia the heritage of Sevdalinkas in Bosnia grew to some 4000 known Sevdalinka texts of today! This immense heritage began to be culturally destroyed over the 19th and 20th century with arrival of Austro-Hugarians to Bosnia and through various wars that ripped through the country since (see ‘Cultural Genocide in Bosnia‘). The oral tradition of teaching Sevdalinkas in Bosnia today is virtually non-existent, while the song has been hijacked by various other forms of music in the era of ‘world music’ movements, where one could argue that ‘anything goes’ musically speaking. Only a handful of true Sevdalinka recording artists live today."
See also Helen Walasek (2016). Bosnia and the Destruction of Cultural Heritage. Abingdon: Routledge.

On 24th August 2016, I traversed Sarajevo and admired that small neighborhood shops still exist (first photo top left), even though Coca Cola is everwhere, it has even taken over my bus station! (See the last photo.)! I profoundly enjoy that I can experience the atmosphere of my beloved Jerusalem and Cairo together with Vienna in Sarajevo!
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In August 2016, my 1981 dress (see the photo on the left side) was copied in Sarajevo by dear Senida (see the photo on the right side)!
In 1981, I worked as a medical student in Bangkok, and was overjoyed to see the streets filled with silk shops. I bought some silk and designed and made the dress you see on the left photo (the photo was taken in 2014). In 2014, I was back in Thailand and was devastated to see that modern-day mass production has "killed" the local silk handicraft, as it has done with so many other handicrafts all around the world. Those with means, in all corners of the world, seem to be willing now to reduce themselves to crowding their wardrobes with clothes that lack true quality and diversity. The number of colors that is being used in these mass-produced materials, just to give one example, is disastrously low. And I watch the poor, in Africa, South America, and other parts of the world, I watch them being reduced to digging through heaps of second-hand clothes that people in the Global North have given to "charity" believing that this meant "doing good," while these clothes are being sold off for profit, finally destroying also the local skill base among the poor.
On December 7, 2007, I was discussing this disaster with Zuzka Kurtz in New York. Zuzka confirmed that we need to educate people to respect the richness of knowledge and skill that flows into many handmade products, particularly those that honor long artistic traditions.
I started to study local fashion styles back in 1974 and created "cross-over" clothes. Have a look at our World Clothes for Equal Dignity idea, for which I still look for support. Unfortunately, I no longer have time to be my own tailor, and the dress on the left side from 1981 is now very worn and in danger to fall apart and I repair it every year. Since I did not find the right material in Thailand in 2014 to make a good copy, I kept searching for it in other parts of the world. I was extremely happy to find the right material in the very last corner of the fashion street in New York in December 2015! (Foursquare Favorite, 224 West 40th Street.) I brought this material with me to Sarajevo and the lovely tailor Senida has now been so kind, in August 2016, to make a copy of my 1981 dress! See the photo on the right side. Senida is originally from Italy and she became very proud of the "unikat" as she called my dress. She has proudly put a photo of it up on her Facebook page!
• Please click on the photo above on the left side or here to see more pictures from 2014 in Thailand. Click on the photo above on the right side or here to see more pictures of Senida's little atelier in one of the backstreets in the center of Sarajevo.

Catherine of Bosnia (1424/1425 – 1478) was Queen of Bosnia. Her life has been one of the most popular themes in the history of Bosnia and Herzegovina. She is traditionally referred to as "the last Queen of Bosnia" (even though her stepdaughter-in-law both replaced her as queen and outlived her).
• Please see a painting of her chapel on the left side, and a photo of the real chapel that I found here on the right side.

On 15th August 2016, I explored the Baščaršija, Sarajevo's old bazaar and the historical and cultural center of the city. The word Baščaršija derives from "baš," which is "baş" in Turkish, literally meaning "head", or also "primary", "main", "capital," combined with "čaršija," which is "çarşı" in Turkish, meaning "bazaar" or "market". Baščaršija was built in the 15th century when Isa-Beg Isaković founded the town.
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On 15th August 2016, I went to the Latin bridge in Sarajevo, an Ottoman bridge over the river Miljacka in Sarajevo, Bosnia and Herzegovina. The northern end of the bridge was the site of the assassination of Archduke Franz Ferdinand of Austria by Gavrilo Princip in 1914, which became casus belli of World War I.
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On 14th August 2016, Ardian Adžanela reflected on solidarity and mutuality, and how he observed it flourishing in the midst of the suffering of the siege of Sarajevo (1992-1995), more than after the siege. Evelin Lindner did the video-taping.

See the video:
• Ardian Adžanela Reflects on Solidarity and Mutuality, Sarajevo, 14th August 2016

On 12th August 2016, I admire the fact that Sarajevo is sometimes called the "Jerusalem of Europe" or "Jerusalem of the Balkans," due to its history of religious and cultural variety. Sarajevo has a mosque, a Catholic church, an Orthodox church, and a synagogue within the same neighborhood. The photo above shows a small detail that underpins this richness: inspired by professor Midhat Ridjanovic, I bought an Apfelstrudel (tradition from the West, such as Austria), and I noticed that, indeed, it is being prepared with syrup (Eastern tradition)!
• Please click on the photo above to see it larger.

On 11th August 2016, Linda Hartling and Rick Slaven from Portland, Oregon, together with Evelin Lindner in Sarajevo, honored Ardian Adžanela with our Beacon of Dignity Award, on behalf of the Human Dignity and Humiliation Studies fellowship!
• Please click on the photo at the top or here to see more photos.
• At the bottom you see "Ardian's Handshake Bridge," which he created on his computer some years ago! He kindly wrote on 27th December 2016: "I didn't specifically have just the Mostar bridge in mind when I created it with very basic painting tools in Windows, but any bridge (including the Mostar bridge) as a typical symbol of Mutual Human Support..."

On 11th August 2016, it was such a privilege to be introduced to professor Midhat Ridjanovic. This is his biographical backgroun:
Dr. Ridjanović is professor emeritus of English and linguistics at the University of Sarajevo. He obtained his doctoral degree in linguistics at the University of Michigan in 1969 and taught at Sarajevo University's Department of English for nearly forty years. In 1984-85 he was a Fulbright visiting professor of Serbo-Croatian and linguistics at the Ohio State University. He has given invited lectures at universities in the former Yugoslavia, at the Zagreb Linguistics Circle, at the Croatian Academy of Arts and Sciences, and at Oxford University. He has published 14 books (one in the U.S.) and over fifty papers and articles in local and international journals. He received several prizes for his scholarly publications, including the awards for the best non-fiction book published by the Svjetlost company in 1984 and the best-book prize at the International Book Fair in Sarajevo in 2004. He was among the pioneers of simultaneous interpretation in the former Yugoslavia and has since interpreted at over forty international gatherings, including the Dayton Peace Talks (as Certified US State Department Simultaneous Interpreter) and proceedings at the International Criminal Tribunal for the Former Yugoslavia in the Hague. Dr. Ridjanović also interpreted for late Yugoslav President Tito.
• Please click on the photo above to see it larger.

On 9th August 2016, I once more explored Sarajevo. Sarajevo hosted the 1984 Winter Olympics and I had the privilege of living near the Olympic Tower. The games helped define the history of the city and remain a symbol of better tomorrow. What people shared with me was that Sarajevo was a wonderful place before the siege of Sarajevo (1992-1995), and that nobody would ever have expected that something as terrible could ever happen, almost out of the blue. Many talked about one Sarajevo before the Bosnian war, and another Sarajevo afterwards, a Sarajevo they no longer recognize and feel alienated from.
Then I passed in front of one of the wonderful "almond boutiques," which seem to have survived from "before to afterwards." A few steps further I met the amazing legazi of Gazi Husrev-beg (1480–1541), a Bosniak Ottoman sanjak-bey (governor) of the Sanjak of Bosnia, known for his improvements of the structural development of the urban area of Sarajevo and the construction of many important buildings. You see me here in the Gazi Husrev-beg Mosque.
At the end of this day's journey, I saw a poster in English and Arabic that invites people from the Gulf States to buy "units" in the "most luxurious resort in Bosnia-Herzegovina." I could not help shudder: here some wealthy investors from the Gulf States aim at making more money by selling out Bosnian scenery in the form of standardized "units," which the investors themselves would never touch (they would go for individualized mansions). The investors count on fooling people into giving them their funds for believing that they can climb the ladder of status by buying into mass-produced "luxury" and that this "ascend" will improve their quality of life. In short, here traditionalism and capitalism combine and betray their foundational ideals. They are hijacked by elite interests that violate the egalitarianism of early Islam on one side, and on the other side also the ideals of one of capitalism's fathers, Adam Smith, whose larger worldview was grounded in community rather than competition for domination.
I was thinking of the region being a border-region, always exposed to being used and abused when powerful neighbors fought. Historian Ibn Khaldun comes to mind, and historian Arnold Toynbee, as well as peace researcher Johan Galtung. Galtung speaks of the "periphery" (versus the center), and also Toynbee speaks of the periphery, and, in a way, also Khaldun. However, while Galtung speaks of the exploited periphery where a culture of obedience is engendered, but also alternative solutions may emerge, Toynbee focuses on the embattled border region and the "hardened" culture it may give rise to. Former Yugoslavia could perhaps be seen as both. It carved out considerable independence at the periphery of the big power blocks after WWII, while its border culture may represent a facilitating factor for possible in-fighting.
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On 8th August 2016, I explored Sarajevo, first by bus 16 b, and then by foot...
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17. Mai – 21. Juli 2016 / 17th May – 21st July 2016: Hameln, die Rattenfängerstadt / Hamelin, the city of the Pied Piper:
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• Hochzeitshaus
• Dempterhaus
• Osterstraße
• Pferdemarkt
• Bäckerstraße
• Emmernstraße
• Fischpfortenstraße
• Kupferschmiedestraße
• Wendenstraße
• Neue Marktstraße
• Hummenstraße
• Alte Marktstraße 20, Kurie Jerusalem Hameln: Um 850 wurde in Hameln ein Benediktinerkloster gegründet, dass vermutlich im 10. Jahrhundert in ein Kollegialstift umgewandelt worden ist. Die Stiftsherren konnten ihren Wohnsitz nun außerhalb des eigentlichen Stiftsbezirks nehmen. Von der früheren Kurie Jerusalem ist das Speichergebäude erhalten, in dem seit 1976 – nach umfassender Sanierung – städtische Kinder- und Jugendeinrichtungen untergebracht sind.

It was a great privilege to be together with Magnus Haavelsrud, Are Johan Rasmussen, and Jakob Peters.
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On 8th and 10th March 2016, I was allowed to have some pictures taken together with the pillars of our global dignity work, Egil Bergh-Telle and Øivind Magnus Hoff, without whom our work would not be possible! Again and again, they rescue the global headquarters of our work (Evelin's computer), when it develops problems.
I would like to express my deepest of gratitude to you, dear Egil and Øivind!
And thanks for taking such lovely photos, dear Alan!
• Please click on the photos above to see them larger.

On 7th March 2016, it was a great privilege to be invited by Inga Bostad to talk about 'From Humiliation, Vengeance, and Genocide to Reconciliation: Experiences from Rwanda' at the Monday lunch / Mandagslunsj at the Norwegian Centre for Human Rights / Norsk senter for menneskerettigheter, University of Oslo, Cort Adelers gate 30, 0162 Oslo, Norway, Seminarrom Asbjørn Eide, see the announcement of this talk.
Thank you to Heidetraut von Weltzien Høivik, Berit Soltvedt, Ann Kristin Ulrichsen, and many others for joining in!
Thanks a lot also to Heidi for taking such lovely photos, and to Ann Kristin for doing the video recording!

Video:
• From Humiliation, Vengeance, and Genocide to Reconciliation: Experiences from Rwanda, 7th March 2016

• Please click on the photos above or here to see more.

On 5th March 2016, it was such a gift to be invited to experience "Kontrapunkt: Helaften med musikk, debatt, og multipoetisk samvær" organised, among others, by Nina Witoszek, Alida Boye, Helge Iberg, and David Sloan Wilson, in Kulturkirken Jacob, Oslo, Norway. See also Morgenbladet.
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On 3rd March 2016, 12.15-14.00 everybody was welcome to 'From Humiliation, Vengeance, and Genocide to Reconciliation: Experiences from Rwanda', a lecture by Evelin at the Department of Psychology, University of Oslo, Norway, Harald Schjelderups hus, Forskningsveien 3, auditorium 3, as part of "PSY4506 - Human Rights, Democracy and Reconstruction after Conflict; A community based approach," by Nora Sveaass and Inger Skjelsbæk, www.uio.no/studier/emner/sv/psykologi/PSY4506/.

Video:
• From Humiliation, Vengeance, and Genocide to Reconciliation: Experiences from Rwanda, 3rd March 2016
Thanks a lot also to Lasse Moer for wonderful video recording!
See Lasse Moer's UiO Podcast edition, or the YouTube edition

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On 23rd February 2016, Norway from the air, on the way from Amsterdam to Oslo.
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On 12th January 2016, it was a great privilege that Claudia Lutschewitz and her husband Andreas came to Hameln to conduct an interview with me!
• Please click on the photo above to see it larger and see our little video that we created at the end of our conversation.
• Please see the interview with Claudia Lutschewitz in Mediator 01/2016, pp. 4-9: 
Menschlichkeit und Mediation: Ein Leben für Würde und gegen Demütigung.

3th January 2016: Finally snow in the north of Central Europe! December was much too warm!
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